My interdisciplinary practice is anchored in printmaking, sculpture and installation. I create representational work ranging from etching-based installations to cast sculptures to contour line drawing and embroidery. My background in printmaking fosters a deep appreciation for process and repetition. I juxtapose heavy commercial materials, such as concrete with delicate papers, films, and intricately hand-cut prints, occasionally incorporating sound and video elements for added dimension.

Extensive research, material experimentation, and precise craft unify my work guided by a conceptual and aesthetic thread. Deliberate material selection, nuanced color choices, and meticulous attention to scale are fundamental to my work. Throughout the creative process, a continuous dialogue unfolds between materials and conceptual underpinnings, with the artwork itself dictating the trajectory.

My work centers the everyday, individuals’ un-theorized, taken-for-granted experiences and understandings of their worlds. It foregrounds seemingly thoughtless and individual, yet deeply meaningful, social practices. Intended as critical social commentary, it compels us to see our choices, inviting introspection and urging viewers to consider their choices within the broader social fabric. 

As a Guatemalan of Jewish heritage raised in the United States, I both live within, and inhabit the liminal spaces between, cultures—an identity that profoundly informs my perspective. Taking notice of what ordinarily remains peripheral to vision, with an anthropological approach, I observe and seek to understand my surroundings. My artwork is a visual manifestation of this process.

Driven by a commitment to rigorous research, conceptual depth, and impeccable craftsmanship, I endeavor to produce work of substantive ambition. I embrace its quiet power, and use it to challenge assumptions and expectations. Ultimately, my goal is for viewers to reflect on the ideas I present through the context of their own everyday lives.